This is just a post to get you all to head over to this link -
CLICK HERE - and read the interview with Richie Hawtin about his guise Plastikman. I've copied the first question and answer below. Probably just one for the fanboys but well worth a read.
I suppose if you're a drummer or guitar player, doing your thing is already a visually arresting thing - you're moving your hand, hitting a snare - whereas if your producer, if you're increasing a parameter or introducing a new element to the music, that's not really physical in the same way. People know you've done something, because they can hear it, but there isn't that same physicality. What you're doing reintroduces that.
Exactly. What we're trying to do, in a way, is adding a new language to that. So say, linking claps to strobe lights, people hear it and they see something. They see something on the screen moving in correlation to the sound they're hearing. That's the difference between our shows and other shows. There are a lot of audio visual experiences out there, but there aren't really any tightly integrating what you hear and what you see. That's what a great concert is, like you said, hearing a snare and seeing the snare being hit as you hear it, or with someone play a guitar. Most of the planet and most of the people at the concert are putting together the experience using what they are taking in visually and sonically, and that's what we're trying to play with.
